About
the voice behind the books
01Meet Victoria
Stories play in my mind like a film.

Hi, I'm Victoria, a narrator based in Central Texas with a lifelong love for the arts and storytelling. I approach my work with care, discipline, and a deep respect for the craft, always focused on delivering performances that feel authentic, immersive, and thoughtfully produced.
My connection to storytelling began long before stepping into the booth. Some of my favorite moments happen at bedtime, reading to my two kids and watching their faces light up as I bring different character voices to life. Those moments quietly shaped my path into voice acting and clarified my mission. I strive to captivate listeners and pull them fully into the story, creating an experience that feels engaging, emotional, and alive.
I have worked closely with experienced audio engineers and voice actors to refine both performance and production, ensuring each audiobook meets high professional standards from start to finish. My background in music has also shaped how I listen and perform, giving me a strong sensitivity to rhythm, pacing, and tonal nuance.
When I am not in production, I am often reading for pleasure. Stories play in my mind like a film, unfolding frame by frame with clear voices, vivid scenes, and emotional detail. That is the experience I aim to give every listener, a story that feels immersive, intentional, and memorable.
Victoria
Accents and dialects
- Spanish
- US Standard American
- US Southern
- US Boston
- US New York
- US Miami
- British Standard
- Australian
Genres
- Thriller
- Romance
- Fantasy
- Comedy
- Memoir
- Mystery
- Science Fiction
- Horror
- Historical Fiction
- Young Adult
- True Crime
- Self-Help
02How we work together
From manuscript to Audible, in six chapters.
Send your book
Share the manuscript, word count and deal type through the quote form. You get a quote and next steps within two business days.
Manuscript review
I spend one to two weeks, depending on the length of the book, reading the entire manuscript and prepping plot lines, character arcs and pronunciations. It helps to send a list of preferred pronunciations for foreign or invented words and names, along with any character notes on accents and personality.
First fifteen
I record the first 15 minutes of the book to set the pacing, tone and any characters introduced. Once approved, creative direction for the rest of the book is entrusted to me. On per-finished-hour projects, a 25% deposit of the estimated total is due at approval.
Punch and roll
Over the next four to six weeks I record, edit and master the remainder of the book in my studio, and upload all of the files for review once fully complete.
Your review
You listen through all the audio and note any words or phrases for pickups. Pickups are reserved for technical flubs, mispronunciations and missing words. Two rounds of pickups are included free of charge; additional rounds of re-recording are subject to extra fees.
Payment and release
Once all files are approved, final payment is made before the finished audio is uploaded to the publishing platform for its final quality assurance review and release.

03The studio
Broadcast quality, every chapter.
Equipment
- Rode NT1 Signature Series with Shure A15 HP filter
- SSL 2 MKII audio interface
- Adobe Audition and iZotope RX 11
- Treated, isolated recording booth
Delivery
- ACX compliant
- RMS -23 to -18 dB, peak -3 dB
- Noise floor under -60 dB
- 192 kbps MP3, 44.1 kHz, mono
- Room tone headers and footers
04In the booth
Where the stories get told.
Start here



